Monk Fun Page Review: Mr. Monk and the
Two Assistants
At
first, I felt like an actress brought
into replace a beloved character on a
hit TV show, For months, it seemed as
if I was constantly being compared by
Monk, and everyone else in his life, to
Sharona, and falling short. — Natalie
Teeger in Mr. Monk and the Two Assistants
 |
Mr.
Monk and the Two Assistants
is the first Monk novel to debut
(July 3rd 2007) in a hardback edition.
That means you'll have to pay twice
as much for this one as you did
for the other three. Well, you're
just going to have to suck it up,
because it's worth every penny.
Two assistants mean twice the fun
and twice the mystery and twice
the passion.
"Sharona
and I had this erotic tension between
us," Disher said standing in
the doorway. "A hot 'will they/won't
they' thing."
"More
like a 'will never happen' thing,"
Stottlemeyer said.
"It
was palpable," Disher said. |
Sharona
is back in all her brassy glory
and Natalie is none too pleased
when Monk welcomes his first assistant
with a job offer. Natalie thinks
the best way to ensure her own job
security is to reunite Sharona with
her soon to be ex again husband.
The problem is he's been arrested
for murder and even Sharona thinks
he did it. And it gets a lot more
complicated. There are enough twists
and turns to keep Monk fans on the
edge of their seats (as long as
those seats are on even numbered
rows.) |
 |
| |
I
wasn't one of them, but many fans
were a little put out by the way
the character of Sharona was written
out of the series, as necessitated
by Bitty Shram's abrupt departure
in the middle of the third season.
Since the author doesn't have to
deal with the actress, he's able
to write her exit (in retrospect)
and her return with all the careful
elucidation and emotional authenticity
all but the most die hard Sharona
fan could have desired. Having written
"Mr. Monk Goes to Mexico"
(recently chosen as the fans' favorite
episode) and "Mr. Monk and
the Godfather" I think Mr.
Goldberg really gets Sharona. |
Since
we're now on the fourth novel you
might expect the plots and characters
to begin to blur a little, but the
opposite is true. Each book is delightfully
unique. Maybe it's just me, but
I see more depth and substance in
this novel, than in the first three,
which were all solidly entertaining
in their own right. The exploration
of the two relationships between
Monk and his assistants is fascinating.
The novel touches on the similarities,
the differences, the humor and the
evolution of both relationships.
Great stuff. The obstacles are obvious
and I'm not sure how it would ever
come about, but it would be so cool,
and ridiculously easy to promote,
if Two Assistants was turned
into a TV episode. |
 |
 |
There's
also something warm and familiar
about this one, besides Natalie's
narrative voice. I've often taken
that drive down the five she so
piquantly describes. I've been on
Baker Beach (and thought what a
great place that would be for Monk
to solve a murder). I've been to
book signings eerily like the one
described in the book. Oh, that’s
right: it was a Lee Goldberg book
signing. |
An
interesting sidenote: Ian Ludlow,
a novelist, Monk's L.A. counterpart
and Disher's idol (he refers to
him as "the Tolstoy of the
mean streets") was also Lee
Goldberg's early pen name when he
was writing classics like .357 Vigilante.
I think knowing that gives the reader
a greater insight... into what I'm
not sure.
My
favorite scene? Sharona and Natalie
interrogating the woman with the,
shall we say, unusual brooch. Hysterical.
It's
a good thing it's in hardback. It
will stand up better to all the
re-reading. |
 |
Goldberg,
Lee. Mr.
Monk and the Two Assistants. New York:
Penguin Group, July 2007. 288 pages. $19.95

Monk Fun Page Review: Mr.
Monk and the Blue Flu
“What
about the criminals?" Monk asked.
"Are they going to take a sick day
too?”
| |
The
Monk books just keep getting
better. Better than the TV series?
I won’t fully commit to that,
but the novels have what the show
sometimes isn't even aiming for:
well executed fair play whodunit
mystery plots. The complex story,
abundance of colorful characters
and high body count in Blue
Flu may demand a little more
concentration than the show or even
the previous two books. It’s
too delightfully long and complex
for an episode, but trimmed down
it would make a great entry in the
series, just as the first novel
(Mr. Monk and the Firehouse)
did when it was adapted for the
fifth season episode “Mr.
Monk Can’t See a Thing.” |
Just
to get this out of the way, the
more Monk-ish Monk fans
can now rest easy. Monk’s
milk phobia, established in the
series, was overlooked (by the author,
by the creator, by me, but not by
legions of persnickety squared readers)
in the first and second books. The
“milk error” has been
corrected in Blue Flu.
Not only that, but we’re given
a little more insight into Monk’s
rationale for the phobia: |
|
| “He’s
afraid of milk,” Porter said
to Sparrow.
“You
are?” she said, momentarily
showing interest in something besides
looking uninterested. “Why?”
“It’s
a bodily fluid in a glass that some
twisted person intends to drink.”
Monk cringed just thinking about
it. “It’s unnatural.” |
| |
Natalie
is like an old friend now, telling
me her experiences over a cup of
coffee. I know the books (and the
blogs, also initially ghost written
by Lee Goldberg) have done more
than a little to shape my favorable
impression of her on the show. Having
her as a guide in Monkland
is just plain fun. She’s always
a little mystified and frustrated,
but loyal and true just like the
literary figure to whom she draws
her own comparison: “I
went with him, even though I wasn’t
a cop and hadn’t been invited.
I’m pretty sure that Dr. Watson
would have gone with Holmes in the
same situation.” |
Also
notable is Natalie’s impromptu
art lecture. It’s a must read
and a high point in Monk noveldom.
“A box of Brillo soap
pads is just a disposable consumer
product in colorful packaging. But
when Andy Warhol made exact plywood
replicas of the Brillo boxes and
stacked them in a gallery they became
art.” – Excerpt
from Professor Natalie’s Lecture
somewhere around page 128. |
|
| 
|
Monk
himself is a little more chatty
here and, I think, a little less
self aware than the TV version.
It may be mostly Natalie’s
perspective that makes him seem
a little more self-centered, demanding
and stubborn. Those are all traits
he has in the show, but they’re
not softened as much without Tony
Shalhoub’s performance and
a third person perspective. On the
other hand as Acting Captain we
get to see a few new facets of the
Monk character, some genuinely hilarious
interactions with his new subordinates
and a little more exploration of
his friendship with Stottlemeyer. |
Adrian
Monk in the novels may be a slightly
different character, but Lee Goldberg
has got Leland Stottlemeyer completely
nailed. I can almost hear Ted
Levine say every line. His relationships
with Monk, Natalie and Disher
are perfectly in sync with the
character as developed by Levine
and the writing staff (including,
of course, the three scripts Goldberg
co-wrote in which the Stottlemeyer
character got some first rate
development.) I like that we get
to see Stottlemeyer dealing with
his divorce in more detail and
I think he comes off as particularly
caring and compassionate about
Monk in Natalie's eyes.
|

“That’s
quite a list,” Disher said.
“I could use a hand.”
“Get
all the help you need”
“What will you be doing?”
Disher asked pointedly.
“Captain stuff,” Stottlemeyer
said, his eyes daring Disher to
push it beyond that.
|
Once
again Disher gets short shrift,
but that's the way it goes in the
series as well, so no big surprise.
He wriggles into a few scenes, but
no major heroics or imaginary girlfriends
or dental appointments. He isn’t
actually there to hear it, but there
is a very nice bit about him from
Stottlemeyer: “The cases he
solves aren’t unusual, high-profile,
or particularly colorful. But, by
God, he closes them.”
A
cast of colorful guest characters,
the reinstated detectives and their
companions, fill out the rest of
the book.
Det.
Cindy Chow is a paranoid schizophrenic
accompanied by her psychiatric nurse
doing a doctoral thesis on the
commonality of certain facets of
complex, recurring conspiratorial
delusions which form an almost Jungian
shared unconscious.... you
get the idea. He doesn’t seem
to be helping her much:
“You
can drop the charade,” Chow
said. “I know you both work
for them.”
“Them?” Monk said.
“The extraterrestrials occupying
the shadow government,” she
said. |
 |
"Mad
Jack" Wyatt is the second
coming of Dirty Harry or at least
thinks he is. “I’m
back in the game and my gun has
bullets,” He announces,
cleverly working the title of
a previous Lee Goldberg novel
into his would be catch phrase.
He has his own personal anger
management counselor in tow who
says things like: “Don’t
let your anger drive you. Drive
your anger. Steer it to the garage
and park it.”
|
He
and Monk hit it off right away.
“I
was born to take scum off the street”
“So
was I,” Monk said. “Which
cleanser do you prefer?”
Wyatt
opened his jacket to show Monk the
gigantic gun in his gigantic holster.
“Three fifty seven Magnum.
You?”
“Simple
Green,” Monk said.
|
|
Frank
Porter is a once brilliant detective
now suffering from senility and
tagging along with him is his twenty
something granddaughter, Sparrow.
She takes care of him, “Because
it beats slinging burgers at McDonalds.”
Frank’s
memory isn’t what it used
to be.
“What
day is it?” Porter asked.
“Sunday,” Sparrow said.
“That’s good to know,”
Porter said. “What year?”
“2007,” Sparrow said.
“No really,” Porter
said. “What year?”
“2007,” Sparrow said.
“That’s not possible,"
Porter said. “I’ll be
dead by then and there will be Holiday
Inns on the moon.”
Toss
in a few murderers and half dozen
or so murder victims for a super
fun concoction. |
 |
Blue
Flu has so many nice touches that
you’ll just have to read the
book to enjoy them all, but I’ll
just mention my favorite. At the
first murder scene Monk and Natalie
meet a uniformed cop. “His
name was Milner and if not for the
wedding ring he was wearing I might
have been interested in his first
name too,” says Natalie.
That first name turns out to be
very interesting. He’s Officer
Kent Milner. Get it. Kent McCord,
Martin Milner, Adam-12, Officers
Reed and Malloy. Well, I thought
it was very cool. |
In
fact the whole book was cool, exciting,
funny and the perfect remedy for
the fan who has two more weeks before
Monk episodes resume on USA.
Buy
it at Amazon!
By Lee
Goldberg
Penguin/Putnam/NAL
304 Pages
ISBN 0451220137
Price: $6.99
Release Date: Janurary 2nd, 2007 |

Monk
Fun Page Review: Mr. Monk Goes to Hawaii
 |
Sung
to the tune of the theme from
Hawaii Five-0 —
If you
get in trouble, call the Monk, that's
me.
If you find a dead body, I'm the
guy to see-eee
Stop! In the name of the law.
Stop! Murder sticks in my craw.
I'll find the killer. Call the Monk
that's me....
Mr.
Monk Goes to Hawaii is
filled with inspired goofiness,
rich characterizations, an intricate
mystery and a lot of fun. You probably
won't want to put it down until
it's over and that's way too soon.
Unwilling
to stay home alone, Monk tags along
on Natalie's vacation, with a little
help from Dr. Kroger's magic "Dioxynl"
pills, which make the long flight
tolerable for Monk and intolerable
for Natalie.
|
| "Everything
should be dry-roasted," he proclaimed
to one and all. "Has anybody
ever tried dry-roasted chicken? Or
dry-roasted granola? The possibilities
are limitless!" |
| I
thought the flight would never end.
(Natalie
doesn't realize how lucky she is
that no one was actually murdered
on the plane.)
Once
the effects of the medication have
worn off Monk discovers that Hawaii
is not his idea of paradise and
Natalie learns that a vacation with
Monk is no vacation. Quicker than
you can say Prince of Darkness,
Monk spoils a wedding and a fellow
hotel guest falls victim to the
Monk curse. ("Stop calling
me the Prince of Darkness. That's
how rumors get started.") Even
though the local police have concluded
she was accidentally killed by a
falling coconut, Monk knows she
was murdered. All the clues and
a TV psychic point to her philandering
young husband, but Monk realizes
there's more to it.
Mr.
Monk Goes to Hawaii is the
second Monk novel by Lee Goldberg.
This one is also told from the perspective
of Monk's assistant Natalie Teeger.
In fact the author has settled so
comfortably into her voice you almost
expect to see her name on the cover.
This is the kinder, gentler Natalie
she's grown to be on the show. This
is the Natalie I'd like to spend
more time with: funny, strong, loving
and vulnerable.
In
Mr. Monk Goes to the Firehouse
having the story told from her viewpoint
created a bit of a barrier between
Monk and the reader, which required
some adjustment from long time Monk
fans. However, in this novel, by
removing them from their natural
habitat we get a deeper exploration
of their relationship and a better
understanding of Adrian Monk through
Natalie's eyes.
The change of scenery also means
that the novel is virtually SFPD
free. On Kauai, the character of
Lt. Ben Kealoha fills the gap left
by Stottlemeyer and Disher. This
isn't the first time Lt. Kealoha
has dealt with a crazy haole [foreigner].
He was introduced in the Diagnosis
Murder novel The Death Merchant
by Lee Goldberg, where Dr. Mark
Sloan takes a Hawaiian vacation
with similarly predictable results.
"Almost
too great," Monk said. "I
never trust people with great alibis.
Or people who drink soda directly
from the can. Or people who pierce
any part of their bodies."
"I
have pierced ears," I said.
"So
do I," Kealoha said. ""Nipples,
too"
I'd
definitely like to know more about
Kealoha. Maybe he can visit Monk
in San Francisco one day.
On
my one and only visit to Hawaii
the luau was the only disappointing
part. It rained, so we had it indoors.
On the other hand, Monk and Natalie's
luau absolutely rocked, but I won't
spoil it for you by describing the
entree.
This
book marks the first time that Summit
NJ has been immortalized in literature.
At least I'm betting it's the first
time. The mention in the book is
a nod to the Monk writing
staff who toil in Summit rather
than in Los Angeles where most television
writers are found. Reportedly they
have a lot more fun.
It's
a solid mystery and I found the
solution particularly satisfying.
No doubt fans will catch a few errors,
but I didn't notice any.... except
that Monk and Natalie are flying
out of LAX and Monk's still eating
cereal (but I didn't notice any
mention of milk: he could be eating
it dry.) By and large though, it's
very consistent with the series
and yet charmingly enhanced by Natalie's
voice.
Lee
Goldberg once said,"I want
to capture the feel of the series,
but also I want these books to stand
on their own. They’re original
novels. They’re not based
on episodes. So I want them to almost
read as if they’re the books
the TV series is based on."
I think that's what he's achieved
with Mr. Monk Goes to Hawaii.
Each
Monk season consists of only sixteen
episodes a year, which allows the
writers and cast to deliver consistent
quality, but a loyal fan is left
wanting more. A couple of Monk novels
a year sure helps. I'm not sure
how that equation will work if they
keep making episodes based on the
novels (as with the episode Mr.
Monk Can't See a Thing based on
Mr. Monk Goes to the Firehouse.)
However, I'm pretty sure they can't
afford to film in Hawaii.
The
novel ends with an excerpt from
Mr. Monk and the Blue Flu which
will be released early next year.
Looks like San Francisco has a new
fictional Mayor in Blue Flu and
he shares the last name of a favorite
actor of mine, Smitrovich. Bill
Smitrovich played Inspector
Cramer in A&E's
Nero Wolfe, for which Lee Goldberg
and William Rabkin wrote. Coincidence?
I'm thinking, not.
"Open
your eyes, woman. There are lizards
on the wall. This is a full-wipe
situation." — Adrian
Monk
By
Lee Goldberg
Penguin/Putnam/NAL
294 Pages
ISBN 0451219007
Price: $6.99
Release Date: July 1, 2006 |

| Monk
Fun Page Review: Mr. Monk Goes to
the Firehouse
|
Most
insanely devoted Monk fans,
and some of the more casual
viewers, will approach
Mr. Monk Goes to the Firehouse
with a little trepidation.
How can this new medium hope
to capture the essence of
Monk the series and Monk the
character? The charm and success
of both seem inextricably
tied to the virtuoso (Emmy,
SAG, Golden Globe winning)
performance of the show's
producer and star Tony Shalhoub.
Author Lee Goldberg's answer
to that is to dedicate the
book To Tony Shalhoub,
the one and only Monk
and to take a step back from
the title character. Instead
he tells the story from the
point of view of Adrian Monk's
assistant, Natalie Teeger
and it turns out Natalie's
head is a nice place to be.
|
In
this novel, the first of at
least three, Monk's apartment
is being fumigated so he moves
in with Natalie and her 12-year-old
daughter Julie for a few days.
Julie's got a ready made mystery
for their houseguest: Sparky
the firehouse dog has been
murdered. Monk agrees to take
the case, but the Dalmatian's
demise is just the tip of
the garbage heap. The mysteries
pile up quickly, but Monk
eventually sorts them all
out.
The
Natalie persona is a comfortable
host in the tradition of Dr.
Watson and Archie Goodwin.
Like her literary predecessors,
she's sufficiently mystified
by the puzzles Monk solves;
she tackles the romantic subplot
with warmth and humor; and
she does most of the heavy
lifting. Her encounter with
the mugger is inspirational.
The humor throughout is very
Monk, just a little off center
and never too jokey: "He's
a dog, she's a dog, I think
that's all that really matters
to dogs," I said. "That's
why they call them dogs."
The
characterizations of Natalie,
Captain Stottlemeyer and Julie
are all spot on. Lt. Disher
only shines briefly, but that's
how it usually is for him
on the series as well. All
the new characters are very
vivid. So much so that it's
almost as easy to visualize
them as the characters we
already know. One of my favorites
is the Fire Chief, Captain
Mantooth. Unless I'm wrong,
which I don't think I am,
that's a nod to Firefighter/Paramedic
Johnny Gage, played by Randy
Mantooth on the classic TV
series Emergency. I hope when
and if the novel becomes an
episode that Randy's available
for the part. Pop culture
references abound and that's
part of what makes the book
just plain fun to read.
The
plotting is well done, intricate
and exciting, but the novel
also has the one element that
defines the series, heart.
It's what makes the character
of Adrian Monk admirable instead
of laughable and what makes
all the relationships ring
true. Early on Natalie and
Stottlemeyer have a brief
conversation:
"How
are you holding up with Monk
as a houseguest," Stottlemeyer
asked me.
"It's
only been a few hours."
"A
few hours with Monk can seem
like decades," he said.
He took a pen from his pocket,
scrawled something on the
back of a business card and
handed it to me. "This
is my home number. If you
need a break, give me a call.
I can take him out to the
car wash."
"Thank
you, Captain," I said.
"That's very nice of
you."
"You
and I are the only ones who
take care of him. We have
to back each other up."
"We're
sort of like partners."
"Sort
of," Stottlemeyer said.
"He
likes the car wash?"
"Loves
it," Stottlemeyer said.
Perfect.
From that point on I didn't
put the book down.
I
cheered at the ending of the
main mystery and loved the
final chapter with the revelation
of a secondary mystery.
Monk
fans will no doubt spot a
few continuity errors. Most
noticably, as revealed in
the series, Monk doesn't drink
milk and although he never
actually gets around to it
here, it's discussed as if
he does. I was also suprised
that Monk was allergic to
cats. In "Mr. Monk and
the Missing Granny" it
was established that Disher
was allergic to cats, but
there was no indication that
Monk was and in that particular
episode he's exposed to the
same cat that Disher is.
As
a result of a surprising development
on the show, Natalie goes
from saying she pushes a cart
around Wal-Mart in the beginning
of the novel to admitting
she grew up with money and
it feels like a bit of a u-turn
even if it was unavoidable.
Also
at the beginning some readers
may already identify more
strongly with Monk than Natalie
does, but the bond between
the characters seems to get
stronger as the plot progresses.
We finally get a deeper look
at Monk from Natalie's perspective
when he confides in her about
what drives him: "There's
nothing magical or spiritual
about it. I'm not skilled
enough yet to figure out who
murdered my wife. If I solve
enough cases, maybe someday
I will be."
Even
with a couple of minor flaws
that won't get by most Monk
fans, Mr. Monk Goes to
the Firehouse is just
what Monk should be. Goldberg
has a clever, breezy style
that matches the tone of the
series. Even the hard to please
devoted fans of the TV series
shouldn't be disappointed
and with only sixteen episodes
a year supplemental Monk is
a blessing.
Author
Lee Goldberg is the mystery
writing's answer to Pierce
Brosnan. Brash, yet sensitive;
jaded, yet optimistic, he's
toiled in the Hollywood trenches
for decades as a screenwriter
and producer on such cultured
fare as Diagnosis Murder,
Nero Wolfe, Deadly Games,
Flipper, Baywatch and, of
course, not just one,
but two
episodes of Monk. He has a
couple of Edgar
Award Nominations and
a notorious
blog. He doesn't brag
about it, but he writes like
a girl: "My wife is amazed
I was able to capture a woman's
voice, too" admits Goldberg.
"If I understand women
so well, she says, why don't
I understand her!" (Probably
the same reason Adrian Monk
can't solve his wife's murder:
he's just too close to it.)
Lee is also the man behind
the woman for Natalie's
blogs on the USA
Network Monk Site.
Goldberg,
Lee. Mr.
Monk Goes to the Firehouse.
New York: Signet, 2006. 292
pages. $6.99
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