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past
September, David said they'd be
delighted if I dropped by the
Monk set the next time I was in
the L.A. area. It was a casual
invitation, because apparently
when you work on a television
show almost every day for a few
years the glitter starts to wear
off. It might not occur to you
that the invitee, namely me, would
consider it an unparalleled pleasure.
It took
me all of four milliseconds to
decide that I'd take David up
on the offer, casual or not, and
arrange that my "next time
in L.A." coincided with the
Monk shooting schedule. I didn't
want to drool on the phone or
seem too "fangirl" and
jump all over the offer there
and then, so I waited a few days
before dropping him an email to
test the waters. He hadn't forgotten
the offer.
It was
at about this point that I brought
fellow Bay Area chick/message
board poster Kim (Fan4sure) Densberger
in on the deal. I felt slightly
remorseful that Kim had waited
around Washington Square Park
all day on a tip from me that
Monk would be shooting there back
in November 2005. It seems they
shot "Mr. Monk and the Big
Reward" everywhere in the
neighborhood except the park and
she saw no filming at all. It
was a scary trip over the bay
bridge for nothing. (On the other
hand, it was a beautiful day and
Kim got to meet some um... interesting
people.)
|
Skip right to
the Set Visit part
She also
wasn't small enough to fit in
my pocket for the first set visit
in June. So I figured she was
past due for some Monk magic and
I was happy to provide a little.
"You really are my Monk Fairy
Godmother!" she declared.
(Flattering, but I know I'm not
qualified for the Godmother title
and I'm not so sure about the
fairy part either.)
After
coordinating with Kim, I emailed
David again and proposed the first
couple of weeks in November with
as much fake nonchalance as I
could muster and he responded
with enthusiasm:
|
Teresa, Monk Fairy
Godmother Princess |
David Breckman
(Dramatic Recreation) |
"As it happens, I am slated
to be directing a Monk episode (my
first!) in only a few weeks time.
MR. MONK AND THE THREE JULIES will
be the last show to be filmed this
year (not the last to be broadcast
, mind you, but the last to be filmed),
and I will be doing it the first
couple weeks in November! In other
words, the timing with your planned
visit to Los Angeles just couldn't
be better, and if you can still
manage it, we'd be thrilled to have
you stop by the set and hang out
when you're in town." |
It
took us a little while, but eventually
we settled on a specific date, Friday
November 9th. We counted down the
hours to our departure, while dithering
about travel arrangements and what
to wear. Kim and I PMed furiously
during the last week before the
visit. The messages were vaioursly
entitled:
"Yes,
I'm Excited!!"
"Now
I'm REALLY Excited!!"
"Four More Days" (How
cool to have a picture of us sitting
at Natalie’s kitchen table
or on Monk’s couch. I wonder
if he would make us cover it with
plastic first?— Kim's prophetic
remark a few days before we left.
)
|
"Three
More Days"
"Are
you Ready?"
"I
am So Not Ready"
"So
what are you going to wear?"
(This was a question to which Kim
eventually did find an answer: "My
daughter is my wardrobe consultant
and is picking out my clothes for
me since I can't seem to do it.
If I am dressed like a 10 year old
when you see me, you'll know why.")
|

Kim, Monk Fashion
Maven
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And
so forth... until the big day (November
9th) arrived... make that the day
before the big day (November 8th).
So here's the story. (Kim's comments
are in blue.) |

|
"Now
remember, don't quote me on
that goofy statement I made
on the set or any other goofy
statements I made. Actually,
most of my statements were
goofy that day. I was under
the influence of... of...
well, of the power of Monk.
Almost like an out of body
experience.
"Here's
the long and the short of
it... actually, mostly the
long...." |
|
For the
record I don't remember any goofy
statements on Kim's part, but
that may just mean we don't have
the same definition of goofy.
Still, I don't know how it can
get much goofier than me bringing
along my Monk Bobblehead and taking
pictures of him where ever we
went. Goofy, but fun. That's my
motto.

Monk Bobblehead
at Borders SF
|
 |
"We
left bright and early on
November 8th. Actually,
it wasn’t bright at
all. It was dark. 5:00 a.m.
dark. Teresa flew out of
San Francisco and I flew
out of Oakland. "We
arrived in Los Angeles within
5 minutes of one another
and had three full days
in Hollywood."
|
|

Kim and Teresa at
LAX
Thursday,
November 8th 2007
I'm always
nervous before a trip and I was
up until after one o'clock that
morning, cleaning, packing and
printing out maps. I got a couple
hours sleep before the 4:00am
alarm and then the 5:00am airport
shuttle. The airport was dark
and almost deserted. Too dark
to take any real Bobblehead pictures,
but here's what it might have
looked like:

Even
though I wasn't certain if the
plane had been disinfected, I
slept all the way to LAX. For
all I know Monk Bobblehead counted
the clouds, spilled wine and solved
a murder. And I'm pretty sure
he got my peanuts.

We
picked up a rental car at the
airport and made an amazing discovery:
they now have Bobblehead car seats
installed in all the vehicles....
I hear they can also be used as
cup holders.

We
only got a little lost leaving
the airport. I think I was somewhat
disoriented by the lack of L.A.
sunshine. It was like I'd never
left San Francisco. We made it
to our hotel, The Ramada
Hollywood Hotel, by 10:00am.
Check in time wasn't until three,
but they liked us enough to let
us check in early. I was expecting
something just a cut above the
Econolodge
Spinner and I stayed at a few
blocks from Paramount on our set
visit in June. Except for the
eggs (more on these later) the
Ramada far exceeded my expectations.

Monk
Bobblehead arrives ar The
Ramada |

Monk
Bobblehead waits to check
in.
|
Once
we'd settled in the first thing
I did was call our soon-to-be
host, David Breckman. We firmed
up the time for the next day:
11:00am. 24 more hours to go.
We dropped in at a local diner
for a bite to eat after passing
up a really confusing Chinese
restaurant. (I live in San Francisco's
Chinatown, but this place had
me flummoxed: no menus, no prices,
no service.) I already had the
day's adventure planned, but first
we had to make a drugstore stop.
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"Shortly
after arriving, I noticed
my eye had exploded –
or at least that’s
what it looked like to me.
Although I didn’t
take a “red eye”
flight, I had one. I think
the altitude from the flight
may have burst a blood vessel.
Oh, lovely. I looked something
like Mr. Monk did in "Can’t
See A Thing". But at
least I could... see a thing,
that is. I tried to not
let it spoil my trip.
|
|
"Two bottles
of Visine later, I still had
a red eye. And to make matters
worse, I really couldn’t
wear my sunglasses because
there was NO sun. LA was foggier
than San Francisco. The only
solution was to style my hair
a bit like 'Cousin It' from
The Addam’s Family,
masking my eye somewhat. Sounds
cute, right?" |
|
The hair
was cute. Kim did, briefly, consider
an eye patch, but we hadn't brought
pirate
themed clothing or our
pirate dictionary or any rum
so that option was dropped. (Thanks,
Kim. This story needed a little
drama.)
Along
with the Visine we picked up a
map and some caffeine and headed
out to beautiful Pasadena,
home of the Rosebowl, the Rose
Parade, hot-rodding little old
ladies and Supreme
Drive-In-Dairies.
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"Other than the set visit, we
spent our time eating, shopping,
and sight-seeing at the
usual tourist spots . .
. and some just a little
off the beaten path. In
other words, Monk filming
locations.
One
of my official jobs on the
trip was “navigator.”
I got off to a bumpy start
when I got us lost in the
heart of downtown LA.
|
"It’s
amazing what missing one little
turn-off can do! But then
again, we wouldn’t have
driven through the little
known, often overlooked, “Historic
Filipinotown" if I hadn’t
messed up. Actually, I think
we drove through it twice.
My bad." |
|
Kim's
just being kind: I'm the one who
missed the turn off. In fact I think
I missed quite a few of them. I
was also pretty confused by Historic
Filipinotown. I've been lost
in L.A. lots of time (maybe that's
something I should have told Kim
before the trip) and I'd
never run into it. Seems that although
it's "historic" it wasn't
officially established until 2002.
|
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I always
say there's no better way to learn
a city than by getting lost.
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"Finally
back on course, we visited
the mini market known as “Vinton
Street Market” which
was featured in Buried Treasure.
The proprietors surely thought
we were crazy as we pulled
out the Monk Bobblehead to
take his picture in front
of the market. We
explained that a TV show was
filmed there and we were fans
of the show. I told them we
had flown hundreds of miles
just to visit the location.
I hope they realized I was
joking. |
"We
assured them we would buy
something as a gesture of
gratitude for accommodating
us. I’m sure we were
the topic of conversation
during their evening meal." |
|
Besides
the actual set visit, by far the
best part of the trip was the
look on the faces of the store
owners as they stuggled to understand
the purpose of our visit... without
success.
The name
of the store isn't "Vinton
Street Market" of course.
San Francisco doesn't have a Vinton
Street (no matter how many times
they work it into a Monk script.)
I don't think Pasadena does either.
The store is actually called the
Supreme
Drive-In-Dairies. Not that
there was any sign to indicate
that fact. I had to look it up.
I got the address from this
blog which has some pretty
nifty pictures of the scene from
"Buried Treasure" in
which the store was featured.
If you're in Pasadena and you
want to drop by, the address is
1750 E Washington Blvd. Tell them
Kim and I sent you. That will
really confuse them. Don't forget
to bring your Bobblehead.
|
Vinton Street
Market scene from "Buried Treasure"
|
Long shot of
the "Vinton Street Market" |
Another Vinton
Street Market scene from "Buried
Treasure" |
We
made our way back to our Hollywood
hotel and managed not to get lost...
mostly.
After
resting and freshening up a bit
from our first adventure we headed
into the heart of Hollywood to dine
at the now traditional Monk hot
spot Miceli's, the restaurant featured
in "Mr. Monk and the Godfather."
On the way there we made a fortuitous
discovery. |
|
"While
cruising down Sunset Blvd.,
we passed a grocery store
and I excitedly exclaimed,
“Hey, I think that’s
the market they used in
Mr. Monk Makes a Friend...
Maybe.” We took pictures
with the bobblehead just
in case. Upon returning
home, I watched the episode
and I was right. That clinches
it... I do watch the episodes
waaaay too many times." |
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There's
no such thing as too much Monk.
Actually
it was a already a little too dark
for bobblehead pictures at that
point, so we went back on Saturday
morning to get them. It was too
dark at Miceli's as well, but we
took a few pictures nonetheless.
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"Our
first evening, we dined at
Miceli’s where the Godfather
episode was filmed. It was
a charming and delicious experience.
Then we went for a walk down
Hollywood Blvd. I have to
say it was a little scary.
Hollywood has some real characters,
both on the silver screen
and roaming the streets. I
had my English Policeman’s
whistle close at hand just
in case. I bet you didn’t
know that, did you, Teresa?" |
|
I didn't
have a clue, Kim. There were a
few rowdy people on the boulevard,
right in front of McDonald's mostly,
but I wasn't worried. I've been
walking around in big scary cities
for a long time now. If there
had been any trouble I could have
handled it. Nobody runs and hides
as well as I do. I'd advise you
not to blow the whistle, Kim.
It just makes you easier to find.
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We picked
up a little gift for David Breckman
on Hollywood Boulevard. I was
looking for one of those cheesy
little "Best Director"
fake Oscar statuettes, but turns
out there's some sort of rule
against selling them. Instead
we picked up a lovely director's
megaphone. I figured since it
was his first time directing he
probably didn't have one yet and
it filled the cheesy bill pretty
well.
|
We made
it safely back to the car and our
hotel and our beds for a good night's
sleep.
Friday,
November 9th 2007
|
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"Our
hotel had a nice continental
breakfast which was included
with our stay. We both had
the same reaction when we
served ourselves the “square
eggs” from the buffet.
Mr. Monk would surely approve.
We took a picture of the eggs
with the bobblehead. Unfortunately,
Mr. Monk would not have approved
of their taste. They looked
like little square sponges
and tasted like them, too.
|
"I
think we got some strange
looks from the other diners
as we photographed the eggs,
but what the heck; we were
from out of town and would
never see them again." |
|
The.
Worst. Eggs. Ever. I'm not a picky
eater. I've always felt when I put
something on my plate, and even
more so in my mouth, that I've made
a clear-cut commitment. The buffet
eggs were so deceptively enticing,
so beautifully... square. In reality
they were tasteless, spongy (not
in a good way) and ice cold. I had
to break that commitment. I managed
to swallow the first bite, but the
rest was unceremoniously dumped.
Nevertheless, we brought Monk Bobblehead
in for a photo session the next
morning. |

Kim, who wisely decided
against eggs on Day 2
Normally,
of course, I'd feel bad about taking
food I knew we weren't going to
eat just so Monk Bobblehead could
get his picture taken, but in this
case I figured we were doing the
other diners a big favor.
On
a positive note the sausage was
delicious. |

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"All
of our excursions served as
a nice distraction until it
was time for “the main
event” . . . the set
visit . . . which was scheduled
for November 9th at 11 a.m.
That morning, we received
a call from our host, David
Breckman, informing us that
they had worked until midnight
the day before, and therefore,
would not be filming until
1 p.m. |
"We had to wait another
2 hours before we could
go. The wait was excruciating.
Among other things, we watched
the weather channel to see
where the sun was shining
since it wasn’t shining
in LA.
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It seems
they have this rule, and I think
it's a good one, that the cast
and crew must have at least a
12 hour break from one day to
the next. So if they knocked off
at midnight they wouldn't have
to be in until noon the next day.
For us, however it was a tough
lesson in the "hurry up and
wait" culture of Hollywood.
|
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"Finally,
it was time to head to the
studio, and as if I didn’t
have PLENTY of time to get
ready that morning, I made
us 5 minutes late! As we drove
to the studio, which was only
a few minutes from our hotel,
I thought about how exciting
it was to think our names
would be on “the list”
at the guard gate. The first
time Teresa visited, her name
was not on “the list”
when she arrived, but she
did eventually make it through
the entrance gates. |
|
That
I did and, as thrilling as it
was thinking I might be kicked
out at any moment, I liked being
on the list much better.
Also
on our way to the studio we passed
a Sears on Santa Monica. Naturally
we thought of this quote from
"Mr. Monk and the Astronaut":
Why don't we sit here and
name really tall things. I'll
go first. The Sears Tower. Oh
wait wait wait. Mmm no. That's
too tall. Just a regular Sears
maybe. A regular Sears... department
store. — Monk
So we
had Monk Bobblehead hop up on
the dashboard for a picture. Of
course we had no time to stop
and confront any phobias.

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"Moments
before arriving at Paramount
Studios, we passed Raleigh
Studios which has a glistening
and modern facade. Then Paramount
came into view on the opposite
side of the street. Paramount
is a monument to the golden
age of Hollywood. Its architecture
is California Spanish/Mission
style and has a historic and
stately appearance. Merely
driving up to the impressive
gates was exciting. They seem
to allude to the grandeur
on the other side which we
would be visiting. And it
was grand!" |
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I
have to confess I was just a little
disappointed we didn't see any writers
out front striking, even though
we were warned they might be there.
Maybe they were on a lunck break.
I'd planned on taking a picture
of Monk Bobblehead on the picket
line, but no such luck. |
Here are the
writers at a different gate on a
different day (Dec. 13th). |
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Go Union!
— Sharona, "Mr.
Monk and the Captain's Wife
Click to enlarge
| |
"We
presented the Paramount gate attendant
our IDs and he handed us our passes.
Our names were indeed on “the
list!” We parked the car, and
with map in hand, we navigated our
way to Stage 7 where Monk is filmed.
I insisted on doing the “navigating”
because, after all, it was my job.
Weaving our way through the streets
and alleys, we passed lots of people.
For most of them, it was just another
day at work. For me, it was better
than Disneyland. |
"We
arrived at Stage 7 to find the red
light flashing next to the door. A
sign said 'Do Not Enter' when the
light was flashing, so we didn’t.
It stopped and people came in and
out. We didn’t. Teresa called
David to let him know we were there.
People came in and out. We didn’t.
The light flashed again and then stopped.
People came in and out. We didn’t." |
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"A
woman drove up in a golf cart with
a license plate that said “cruzin4ahusband.”
She had a couple wigs in her hand
and went inside when the light stopped
flashing. I wondered what the wigs
were for. “Maybe Randy will
be wearing one,” I said.
"Suddenly,
the HUGE sliding door next to the
“regular” door opened
slightly to reveal what was on the
other side. I saw the directors’
chairs with the Monk logo on the back,
the production monitors, and the crew
hustling about. |
"I
think my heart skipped a beat when
I heard someone say “Traylor”
and I excitedly said to Teresa,
“She’s here!”
Turns out she wasn’t. Teresa
later pointed out they were probably
saying “trailer.” Dang!
"The
big sliding door closed. People continued
to go in and out the “regular”
door. We didn’t. We weren’t
sure if David was going to come out
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